Portrait

Anta Rupflin very rarely dated her works. Most works in the catalogue raisonné have therefore been dated by the authors to the best of their knowledge using letters, calendars, notebooks and photographs in the estate. These dates, however, are not claimed to be definitive.
However the artist seemed to attach great importance to determining the ideal dimensions of the passpartouts herself. She drew corners or even frames into her works to determine the ideal placing of the passpartout. Occasionally she placed measurements in pencil on the lower margin of the pictures. This, however, is not noted in detail in the catalogue.

Portrait chevron-down
  • Stilleben Objekt und Interieur
  • Portrait
  • Still life object and interior
  • Still life flowers
  • Figure
  • Scene
  • Collage
  • Composition
  • Landscape
  • Graphic
  • Photography
Portrait
Portrait of a young woman
Portrait of a woman with short hair
Seated woman with hand on shoulder
Full figure of a seated woman
Portrait of a woman
Upper body of a woman
Woman's head resting on her hand
Woman's head resting on two hands
A woman resting her head in her hands
Young woman sitting with footstool
Seated young woman with legs crossed
Woman sitting with her hands in her lap
Hand studies
Upper body cropped, with bowl between propped-up arms
Portrait of a woman facing right
Two women's heads, leaning toward each other
Portrait of a woman, profile to the left
Woman's head with hair tied up in a bun, seen in profile from the right
Woman's head with hair tied in a bun, lowered from the left
Woman with a scarf
Woman sitting in a coat
Peasant woman doing needlework at a table
Seated, elderly woman
Standing woman in a long dress